If you’re a square peg in a round hole, get out of the damn hole. Go find a square one. They’re out there. Part of learning who you are is learning the environment you need to be at your best… Some of us are lucky enough to, as the saying goes, bloom where we’re planted. Many of us are not. We often grow up with a sense of being defective, of something’s wrong with us, so we need to chop and trim ourselves and twist our selves inside out to fit our surrounding reality. This rarely turns out well. Better to search out the reality – or, if necessary, to bring it into being – that fits you.
I think what’s evolved is coming to see that drawing from my own experiences is enough. That that may be more powerful than what I could do if I gave myself five years to research the perfect answer. There’s a perfectionist part of me that feels like, Well don’t I have to master that subject, and don’t I have to read whatever everybody else said about that before I can talk about it? I think what has evolved is really getting the lesson that what is most powerful for people is story, truth and the nitty gritty of sharing our real experiences. That has showed up for me again and again.
poetry book giveaway (kicking off national poetry month!)

Poetry giveaway!

Tomorrow marks the start of National Poetry Month! One of the ways I’m taking action this year is through Kelli Russell Agodon’s Big Poetry Giveaway

This is a great way to get to know poet-bloggers while circulating poetry books. Each blogger selects two books to give away. Visitors (like you) have the month of April to comment on the giveaway post (like this one) and enter. In early May, I’ll select two commenters at random to receive the books. I’ll contact you for your mailing address and send you a bit of poetic happiness on me. (If you want more details, Kelli has it all spelled out — and her blog is worth a visit anyway!)

I don’t have my own book of poetry to share yet, so I’ve chosen two of my favorite poets. They are both lady-poets, because my poetry tastes are admittedly a bit of a girls’ club. It’s something I’m working on (I’m looking at you, Donald Hall. But the truth is you got in via Jane, so…). 

Lucille Clifton
quilting

Oh how I love Lucille Clifton. I have cluttered the pages of quilting with Post-Its and penciled notes and underlines and stars. (If you win, you will get a fresh copy to devour in the same way.) I love these poems because they deal in identity, in the practice of naming, the role of language as a kind of witness to truth and history, and the power that plays in all of those things.

Some of my favorites in this book involve a retelling/consideration of the creation myth. Adam is vulnerable in Clifton’s poems, and Eve has an inner life that Clifton doesn’t define but instead opens up, into a subtle exposure of the deeper story (a kind of witnessing in and of itself). 

As an undergrad, I lucked out and was dissecting quilting in one class and Paradise Lost in another. The two layer together in interesting ways. If you cross the way Milton positions Eve seeing her reflection for the first time with Clifton’s “sleeping beauty”, for instance, you can discover great texture to Eve and her process of “waking up.” I’m a nerd and find this kind of dialogue between texts fascinating. So, if you win quilting and are equally intrigued by myths relating to Eve and the creation story, consider reading parts of it alongside Paradise Lost! Poetry Month bonus points!

Diane Wakoski
Emerald Ice

Diane was my poetry professor at Michigan State, and I read her work when I want a reminder of how deep imagery can propel poetry. 

I have lots of admiration for Diane, in part because she takes poetry seriously, and I’m one of those people who feels like no one is ever taking things seriously enough. Not in a stuffy way… more in a “there’s no such thing as high expectations”/”always ready for a challenge” way. I felt a bit isolated in that regard until I met Diane, the professor who would confront you directly about why your work was buckling with cliches or why you got lazy with your metaphor half-way through the poem (guilty).

Her poetry has that same edge to it. It’s a drive — a precision of language and a self-possession charging through the voice of her poems. I love that. It’s something I haven’t mastered in my own voice yet, so I tend to read her work more from a place of observing craft than I do for straightforward enjoyment. Your mileage may vary of course — I’m not necessarily suggesting that Diane is a “poet’s poet.”

Ready to win?
If you are interested in winning either of these books, just leave a comment below by April 30, 2012! Be sure to include your name and an email address where I can reach you if win. Thanks for playing along, and happy National Poetry Month!